Henri Dutilleux. Choral, Cadence et Fugato, for trombone & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. Dutilleux’s Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent. Henri Dutilleux – Composer – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical.
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The cadenza features a dramatic piano tremolo over which the trombone plays phrases of increasing intensity. One of the more important recital works in the repertoire.
Choral, Cadence et Fugato. As the trombone makes its initial statement, a counter melody is introduced in the piano. In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common. Titles with no bracketed numbers are assumed to use “Standard Instrumentation. It is a gem from the rich tradition of virtuosic French trombone solos which should be included in the repertoire of every serious trombonist.
Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this: The fugue theme, first stated in the low register of the piano, is angular and rhythmic.
Dutilleux Chorale, Cadence & Fugato for Trombone Solos w/Piano
Choral, Cadence et Fugato is a beautiful work for the advanced player. These numbers tell you how many of each instrument are in the ensemble. In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoonsand there are two each horns and trumpets. Grade 6 – Advanced Price: Percussion duti,leux abbreviated following the brass. Alphonse Leduc,piano score and solo part.
Choral Cadence et Fugato
This is standard orchestral nomenclature. Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:. Vining has appeared as a soloist and clinician nationwide and as a guest artist at many conferences.
The bracketed numbers tell you how many of each instrument are in the ensemble. String Instrumentation Codes Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: Other Required and Solo parts follow the strings: There is no low brass.
David Vining, assistant professor of trombone at the University of Cincinnati College-Conservatory of Music, offers recitals and clinics to brass players and musicians of all ages. Example 3 – MacKenzie: The Beethoven example is typical of much Classical and early Romantic fare.
Note also that the separate euphonium part is attached to trombone with a plus sign. Whenever this occurs, we will separate the first four digits with commas for clarity. Example 2 – Jones: Vadence fanfare proceeds into the high register where the piece concludes on a fortissimo high B-natural with an E major chord in the piano. Copland Fanfare for the Common Man [ The second example is common for a concert band or wind ensemble piece. Letters that are duplicated as in A in this example indicate multiple parts.
This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble. Example 1 – Beethoven: Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass.
The first number stands for Violinthe second for Violathe third for Celloand the fourth for Double Bass. For orchestral music, saxes are at the end see Saxophones below.