Find great deals for Bunt MAS – Jose Ortega Y Gasset. Shop with confidence on eBay!. José Ortega y Gasset was a Spanish philosopher, and essayist. He worked during the first half .. Antonio Rodríguez Huéscar. Jose Ortega y Gasset’s Metaphysical Innovation: A Critique and Overcoming of Idealism, SUNY Press, Bunt mas i inne pisma socjologiczne – José Ortega y Gasset, Piotr Niklewicz, Jerzy by: Jerzy Szacki (author) Piotr Niklewicz (author) José Ortega y Gasset.
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Art invites us, in his view, to join an intellectual game of exploring dehumanised forms, beneath the surface of which there is no longer any room for the truth about the real world.
La rebelión de las masas by José Ortega y Gasset (1 star ratings)
Democratic capitalism Liberal bias in academia. Goodreads helps you keep track of books you want to read. The experience of art becomes a personal challenge for the individual, who decides either to submit to the new rules of the game, or, as Ortega y Gasset said, rejects the new and incomprehensible art.
Even if it seems today that we are familiar with the shape of the new art, interpreting it evidently remains a challenge for us. Leaving Spain at the outbreak of the Civil Warhe spent years of exile in Buenos AiresArgentina until moving back to Europe in ortegs The end of traditional art irrevocably closed a certain chapter in the history of human artistic activity, but it also opened completely new horizons.
Dehumanised art, according to Ortega y Gasset, also meant the flight of artists from forms reflecting life. To accomplish such tasks, the philosopher must—as Husserl proposed—leave behind prejudices and previously existing beliefs, and investigate the essential reality of the universe.
If the European grows accustomed not to rule, a generation and a half will be sufficient to bring the old continent, and the whole world along with it, into moral inertia, intellectual sterility, universal barbarism.
The audience immediately divides itself into two groups: AirenCD rated it did not like it May 27, Edit this record Mark as duplicate Export citation Find it on Scholar Request removal from index Translate to english Revision history. Secondly, the aesthetic object that was its creation had the capacity to deform true reality.
Firstly, it was not real, in the sense that it was new and differed from what was real. As an eyewitness to the changes in art which took place at the beginning of the twentieth century, Ortega y Gasset was sure that art, on the threshold of that century, had been launched on a road from which there would be no turning back. Here, it is worth adding that the basic premise of this reflection is that the reception of art is directed by the sense of expectation.
Carlos rated it did not like it Feb 04, Contemporary art was supposed to create new entities, aesthetic objects that lived in the objective space of the artistic world, which differed from physical and psychological reality. Vincen A rated it did not like it Apr 17, This book is not yet featured on Listopia. The idea of art as an ironic game between the work and the viewer was not yet widely accessible. Ortega y Gasset Existentialist: Would pair well with a tipped fedora, Henry David Thoreau’s “Walden,” and the kind of prejudices that can just escape boiling over except for an undying belief in the reader’s own superiority as compared to the “mass-man,” which for my tastes was an underdeveloped concept at best.
A game deeply engages its participants, and thus changes their perception of the world; the colloquial perception of reality is, in the experience of art, suspended. Thus, hermeneutics encompasses aesthetics.
José Ortega y Gasset
Contemporary artists broke away from the art of the past because a new type of viewer had appeared. The gesture characteristic of his tribe consists in looking at the world with eyes wide open in wonder.
Gasset – – W. For Ortega y Gasset, vital reason is also “historical reason”, for individuals and societies are not detached from their past. Such a waste of time on Saturday morning. Retrieved from ” https: This tradition had created, in his opinion, a community of mutual understanding and agreement, associated with intelligibility and openness transmitted by the content of the art, 1 constructing a common myth that rendered the truth embodied in the works easily accessible.
The authors refer to the basic works of these philosophers on aesthetics and the philosophy of art, among them Truth and method, The relevance of the beautiful, and The dehumanisation of art. An outline of philosophical hermeneutics], B.
We still have not dealt with the issues of its essence, meaning and function. Views Read Edit View history.